The Witch (2016) Review

Written by Stu Cooper

As human beings we constantly live in a state of paranoia and wonder when it comes to God and mysterious things that lie deep in the woods. What can't be explained is often accounted for by some belief in God or paranormal force. But what if there was more to it than that? What if man found a way to bond with nature in the unholiest of ways? That's the kind of fear that The Witch prays upon and that is what makes it a unique horror experience.

The Witch was Written and Directed by Robert Eggers. The film stars Ralph Inneson as excommunicated Puritan William as he struggles to keep his family on the right path a midst a series of unfortunate events taking place in the 17th century. William is accompanied by his wife Katherine (Kate Dickie) and his four children consisting of the Cinderella-like teenager Thomasin (Anya Taylor-Joy), Caleb (Harvey Scrimshaw), along with twins Mercy (Ellie Grainger) and Jonas (Lucas Dawson). The film also features a non-human character by the name of Black Phillip, who is a black goat. I guess dogs weren't quite the usual pet just yet. After a positive reaction at Sundance and Toronto film festivals, A24 and DirectTV teamed up to get the distribution rights, deciding to release the film nationally in theaters. The film hit theaters February 19th, 2016 and grossed over 16.7 million at the box office. With a budget of only 3.5 million, the critics and audiences seem to agree that The Witch is something special.

It's the early 1600's and a family appears in front of a tribunal of some-sort. Their colony of Puritans decides that the family is not fit for their community and that they must leave immediately. The father William seems confident that God is on his side and that his family will be guided to a better life. Reluctantly the oldest child Thomasin follows her father into the wilderness. Once the family establishes a camp, they begin building a place to live. First they build houses and stables, followed by the planting of crops. The family even begins raising chickens and goats.

Unfortunately for the family, they are seemingly cursed. One by one things begin to go awry. After the family fails to grow healthy crops or raise healthy animals, they begin to question their favor with the lord. The father continues to be the most strong willed one when it comes to faith. He constantly reassures the son Caleb that they will go to heaven. He even speaks to Caleb about the idea of babies going to hell. As the family continues living on the outskirts, they experience multiple visits from some kind of creature. The creature takes residence inside the deepest, darkest parts of the woods. It's there that the family will discover some of the most disturbing things in the film. Things only continue to spiral downwards leading to people disappearing, possession, and death.

One word I would use to perfectly describe The Witch would be "macabre". It is a slow burning tale of horror that creates suspense through paranoia and a sense of foreboding rather than CGI effects or POV camera scares. I think the film brings back a lost art form in regards to the horror genre. The genre has been overly saturated by CGI ghost movies for the past decade and it desperately needs original eerie films like this one. While the plot of witches and black magic are nothing new, it's the execution that makes the film so strong. The cinematography aides the story by highlighting with creepy long nature shots, exposing the dark lifeless landscapes inhabited by the family. The atmosphere of the film is damp and murky, which sets the tone for the experiences the family endures. The subject matter serves a great historical fiction analysis of religious and spiritual hysteria and the damage it can do. You have many family members in the film who demonstrate extreme and frightening beliefs. That also poses the question of what is more dangerous, the black magic power in the woods or the ones who believe in it? A true horror experience gets into your head, and poses questions like these. It's been too long since theaters were able to engage in a film this dark. It's a far cry from the yearly Paranormal Activity or James Wan Ghost movie. If you can handle a slow crawling tone riddled with bone chilling imagery, then this is a film you'll enjoy.

As a testament to the style this film brings on screen, cinematographer Jarin Blaschke used natural lighting for the entire film. The natural lighting gives the film it's gloomy nature tone and really makes it stand out. The interior shots are often lit by nothing more than candle light. I think this decision was smart because it enabled me to easily get lost in the early 1600's. I found myself completely motionless, staring at the screen without a doubt that I was watching life in the 17th century. That's a rare feeling to stumble upon in a film, and it's the best kind of feeling. A good film always taps into that part of your brain and makes you get lost in the world on screen. If a filmmaker can accomplish this in a horror film it's even better because then the audience member is surprised or scared by the things they see on screen. That is why the imagery in this film holds up and feels so strong.

The highlight of the film was Ralph Inneson as the father. His deep voice definitely adds to the eerie nature of his character. It also helps that the film is historically accurate in terms of speech and atmosphere. The characters speak in a dialect that serves the time period, and adds to the mythos of the characters. When you hear Inneson deliver a prayer in Old English tongues, it sends chills down the spine. Another sign that this film knows how to tap into terror of another form. The constant state of paranoia that the characters operate under is another sense of tension in the film. You have people pointing fingers, constantly accusing each other of committing sin in thought. It brings to light a form of terror that is ancient, but still relevant. One could easily compare this blind faith fear to current day political situations, especially in an election year. It all comes down to wondering if the devil is whispering in people's ears. Besides the stand out performance from Inneson, you have to give props to Anya Taylor-Joy as the oldest daughter Thomasin. She is essentially the focus of the film and given her limited acting experience, I was very impressed. She conveys a sense of fear and isolation throughout the film that is very believable. She also has a puritan blond beauty to her, that makes her appear to be one of the most innocent characters in the film. She is also one of the only characters who seems to be level headed. She is often trying to get her family to snap out of whatever faith driven state of anxiety they are in. Joy does a fine job in the role, and given the reaction the film has garnered so far, I have no doubts she has a future in horror.

The Witch was shot in a mere 25 days, which I found to be an astounding feat. It is a testament to the devotion of the Director and especially the cinematographer. The cinematographer had to constantly work around the weather in order to keep the film in natural light. Not only does The Witch feel like a solid macabre horror film, but it's a true achievement in horror. If anything it can serve as inspiration for future filmmakers to create original scripts on low budgets and take them to festivals.

Overall the film is quite enjoyable. It is certainly on the slow side and I wouldn't recommend diving into it if you're about to crash for the evening. If you have an open mind or a fascination with witches, you will find this film interesting. If you already have a knowledge of Puritan life, then you may find the film disturbing on a totally different level. Patience is required for viewing, but since it only clocks in at 100 minutes, it will come to an end just as it starts to peak. It is not quite as intense as something like Lords of Salem, but it makes a lot more sense.

31 Days of Monster Mania: Day 21: BEETLEJUICE

Written by Stu Cooper

We are breaking into the final 10 entries in Monster mania, and before we know it Halloween will be over. Let's all give one collective sigh right now. Have no fear tho, you are in good hands. Today I am talking about one of the most iconic horror films of all-time. This film came out of the mind of Tim Burton and into the hearts of pretty much every human being who has seen it. This film launched Michael Keaton into mainstream success and led to him playing Batman. Today's entry is all about the ghost with the most, "BEETLEJUICE"!

"Beetlejuice" came out in March 1988. The film was a critical and financial success across the board. The film had a 15 million dollar budget and made over 70 million in the box office. The film was Directed by Tim Burton and it absolutely shows. The music is also provided by Danny Elfman. With those two teaming up, you can't fail. "Beetlejuice" stars Michael Keaton as a bio-exorcist dead guy who tricks newly dead souls into requesting his help. He is somewhat like an evil genie. Adam (Alec Baldwin) and Barbara (Gina Davis) are two townspeople who recently died in an accident, and are still inhabiting their home. New residents move into the house and the couple decides to seek out the help of Beetlejuice (Keaton).

The couple of Adam and Barbara are what you would consider the modern middle class happy couple. They seem to live in a very small town where everyone knows your name, and they own some type of local store. They live in a absolutely beautiful home on top of this hill. The home is shaped very bizarrely, almost warped. Part of that Tim Burton style charm you will see throughout the film. The couple die when their car goes off a bridge. Not realizing they are dead the couple head back to their home and after a series of tests, they come to realize they are no longer alive. Upon realizing this Adam actually finds a book called "Guide to the Recently Deceased" which supposedly tells them all they need to know. The book is overly complicated and the couple gets very confused about where to go from there. They then meet their undead counselor, and she tells them NOT to contact Beetlejuice, and to scare the residents out of the house.

Adam and Barbara attempt to scare the new residents out of the house, but they quickly realize the people cannot actually see them. With one exception, the daughter. The incredibly dark depressed daughter is played by the classic Winona Ryder. She plays Lydia Deetz. She for whatever reason can actually see the ghosts, and later on she can see Beetlejuice. Her depressive dark side must be so powerful that it actually attracts the dead. That's quite bizarre, but you will have no issues rolling with it. Lydia immediately finds Adam and Barbara endearing and cooler than her actual parents. Lydia agrees to help the two ghosts find a way to scare off the new residents. After some failed attempts the couple gives in and calls upon Beetlejuice. What ensues after this point in the film is pure madness. Michael Keaton's opening monologues as Beetlejuice are some of the most unforgettable lines in movie history. I can't tell you how many times I've quoted some of the things Beetlejuice says. Beetlejuice immediately seems creepy and perverted, but hilarious. The couple seem to immediately regret calling him for help. They see him do some pretty gross stuff but they have no choice. They inform him of the current situation and he offers his help.

The new couple inhabiting the house is played by Catherine O'Hara and Jeffrey Jones, two memorable 80's comedy actors. They would be accompanied throughout the film by their fashion and poltergeist guru friend Otho played by Glenn Shadix. The three of them together absolutely personify greed and 80's yuppie lifestyle. You find them very easy to hate, and it's easy to root for Beetlejuice. Beetlejuice wrecks a dinner party via dance routine, chases them in the form of a snake, and even puts on a little horror show for them. While mostly petrified, the couple actually find a way to spin this into a chance to make money, and they propose building the town on the fact that there are ghosts everywhere.

After Lydia sees what happens and the couple fails at their attempts to scare off the new residents, all hope seems to be lost. At this point the yuppie couple begins shopping out the town to various potential investors, and at one point they have over several guests to perform a summoning of sorts. Otho reads the book for the recently deceased and decides to give this undead thing a shot. He performs a spell that causes Adam and Barbara to resurrect in physical form. Unfortunately for them it's zombie physical form and their bodies are decaying. The couple and Otho show they actually have a heart and immediately regret doing this, but it's too late, the spell can't be stopped. Lydia is forced to call upon Beetlejuice for help, on one condition. She must marry him. She quickly agrees to save her friends lives, and Beetlejuice returns to action. Beetlejuice quickly disposes of the guests, two of which I'm pretty sure he kills. He makes the awful art work of the mother come alive and take the couple hostage. At this point a wedding is being performed. Adam and Barbara appear to be going back to their normal selves but aren't able to stop Beetlejuice. It seems that Beetlejuice has won until Barbara storms into the room on a sandworm and essentially knocks Beetlejuice back into the dead world.

After the insane events that take place, the yuppie couple agrees to live in harmony with Adam and Barbara. Lydia adopts them as a second set of parents, and celebrates by communicating with the dead some more. It's a really bizarre film, but somehow it works. The film has an incredibly unique look and the acting is so spot on, you don't question it for a second. Michael Keaton as Beetlejuice is one of the best film performances in history. You don't think about it being him at all, and the lines are so good you believe in him. The little nods or dances that Keaton does while in character are even good. The dance Beetlejuice does into the zombie brothel is one of my favorite parts. It's truly a classic film full of great one liners, insane dream like sets, and a unique concept. The film also had great make-up effects, so much so that it actually won the film an Academy Award for Best Make-up! Also a side note to indicate how lovable this film is, the actor who played Otho sadly passed away in 2010, but at his funeral he actually requested that they play "Day-O" from his famous Beetlejuice scene. Talk about one last tribute! That had to be a moving experience.

The film would see so much success that it would even spawn a cartoon and several toy lines. There was also a video game for the NES (Nintendo Entertainment System) but it was horrible, so I wouldn't recommend it. The cartoon was a bit different than the film and the character's perverted side was obviously toned down. Beetlejuice actually uses curse words at one point in the film, so i'm surprised the reception for the cartoon was so positive. Different times, different rules I guess!

Overall the film itself is an absolute gem in every way possible. You have one of those mysterious winning combinations that really stands the test of time. I've watched this movie countless times and I always laugh. The attention to detail in the film is great, especially in the waiting room scenes. You get to see all sorts of people who died of different things, stuck in their form of death. You have a guy smoking cigarettes who is all burnt up, you have a guy who works in the file room because he is flat as paper, and you have the couples legal council who has a slit throat where smoke comes out when she inhales. It's all so brilliant and fun. It really makes you think of this whole universe of the undead where everything is goofy. I can't recommend this film enough, it's a Halloween home run!

31 Days of Monster Mania: Day 14: Odd Thomas

Written by Stu Cooper

It's time for the Monster Mania countdown to get odd. Today's edition is all about the 2013 mystery horror film “Odd Thomas”. The film is based off of Dean Koontz’s novel of the same name. From my understanding the book and the film are quite similar with only a few minor differences. The film is written and directed by Stephen Summers. Sommers had worked on The Mummy series, Van Helsing, and most recently Rise of Cobra. Needless to say, Sommer's IMDB reads like a whose who of corny science fiction movies. That's why I was pleasantly surprised with “Odd Thomas”. The film stars Anton Yelchin as the lead Odd Thomas, Willem Dafoe as his father Wyatt, and Addison Timlin as Odd's girlfriend Stormy.

“Odd Thomas” is all about a teenager named Odd who has a special power. Odd has the power to see dead people. Not only can he see dead people, but he can also see demons. Instead of approaching this concept like “The Sixth Sense”, this film does the total opposite. It gets right to the point, tells you what is going on, and the action kicks off. Almost immediately we see that Odd uses his power to be a bit of a hero. He helps his detective father solve murders by communicating with some of these dead people. Not only does he help solve the mysteries, but he randomly opens a can of whoop ass on a few of these guilty parties. It definitely has a Scott Pilgrim feel when it comes to the action sequences and the dialogue between the characters. The film's tone however is a bit darker than Scott Pilgrim.

One downside to Odds powers is the demons that he can see. He refers to them as bodachs. These “bodachs” feed off of the negative energy produced by evil acts being committed. If someone dies, they want to feed off that dead person. Odd also realized that the bodachs were invisible to the rest of the world. So he has to pretend he does not see them. That's some serious concentration. The amount of bodachs in his town begins to increase, which leads Odd to think something's up. Odd is correct and there a lot of murder that's about to take place. It's up to Odd to solve the mystery and stop the event from happening. This leads to some pretty interesting ghost investigation stuff, along with some random fight scenes and horror scares. This movie is all over the place in terms of tone. You have some comedy, some Pilgrim-esque quirky dialogue, some fight sequences, and some serious horror scares. I would say it's on the same level as “Scream” in terms of handling multiple tones at once.

Anton Yelchin is very likable in the role of "Odd". I already liked the actor after his role in "Fright Night" and his fun version of Chekov in the new "Star Trek". The character is kind of like an apprehensive super hero. He didn't ask for this power, but the power chose him. Odd proves throughout the film that his level of commitment is high. The film balances the scooby doo mystery feel with a splash of real horror. There is a sequence where Odd and Stormy are trapped in a church being hunted by a ghost and it's quite intense. You really get a sense of darkness in the character's world, despite the comical style of the dialogue.

Overall I found “Odd Thomas” to be a pleasant surprise, with a dark underlying theme. The film deals with some dark subject matter, but in a very light way. I really felt myself caring about the characters. The relationship Odd has with his father, and his girlfriend seem incredibly genuine. The actors all really mesh well and feel like real people.

Addison Timlin is intoxicatingly cute in the film. She does a superb job playing the supportive girlfriend that Odd really needs. She also has lots of quick comedy and fun dialogue with Odd's dad. I think she was cast perfectly in the role. Willem Dafoe is great as always, tho it left me wanting to see more of him. Gugu Mbatha-Raw also stars as Viola Peabody, a good friend of Odds. She doesn't have much to do in the film, but it's always nice to see her pop up. We also get a creepy performance out of Nico Tortorella who plays a cop in the film. He played a villain in "The Following" and I thought he brought a lot of the same creepiness to the table in this one.

I'd love to see a sequel to the film or a series based on the film. Odd could easily go on more ghost adventures. I'm hoping to read the book at some point just to see more of this character. There is also some graphic novels based on the character that I may track down. I highly recommend this film. It's not exactly a Halloween horror film, but it's a cool unique take on ghosts that will leave you entertained.

31 Days of Monster Mania: Day 3: The Beetlejuice Graveyard Revue

Written by Stu Cooper

It's October 3rd and it's time for another installment of Film Enigma's Monster Mania! For Day 3 I thought I'd change it up a bit and dig up something that you may have seen if you've ever made your way down to Orlando, Florida. If not, then you're in for quite the surprise. If you've ever gone to Universal Studios you know that the theme park is based around films, and rides or shows based on those films. We all know the classic rides like JAWS, Back to the Future, and King Kong. But what about the stage shows? Well as a child I vaguely remember seeing the Ghostbusters stage show, and it was somewhat entertaining, but I had no idea there was actually other stage shows going on as well. The one I'd like to discuss today is "The Beetlejuice Graveyard Revue" or "The Beetlejuice Mash-up" as it's now known.

The Beetlejuice Revue debuted at the theme park in 1992 and took the place of the CONAN The Barbarian stage show (which I would have loved to have seen). The show used a castle theater as it's backdrop, which was apparently leftover from the Conan set. The show featured a Beetlejuice impersonator coming out and riffing with the crowd. He makes some jokes, does a little bit of stand-up (which changed based on whatever was hip in pop culture at the time) and then he introduces some of his monster friends. Since the show took place at Universal Studios, all of the monsters were the classic Universal creatures. You had the likes of Frankenstein, Dracula, The Wolf-man, Bride of Frankenstein, and The Phantom of the Opera. This is where the show gets weird. For whatever reason, Beetlejuice convinces all of the monsters to form a rock group, and perform music. The remainder of the show is then each monster singing their own song. The songs each creature sings have changed throughout the years, but were usually just random pop songs that had little to do with the character. It's not until the new 2014 version that the songs actually reflect the characters. I was a bit stunned when I watched a 2013 version that featured Dracula singing Van Halen...for whatever reason. The show itself is quite goofy and really has very little to do with the Beetlejuice universe, so don't expect to get any Tim Burton vibes. Beetlejuice is merely the host of what is essentially a monster musical.

The show has undergone a few cast changes throughout the years. The original line-up featured The Phantom of The Opera, but he was swapped out for "The Mummy", who is later swapped out for some undead cheerleaders that sing back-up. The newest version features the Phantom's daughter Fantasia, and bizarrely also features Cleopatra. I must have missed the Universal horror film about that menacing Cleopatra! But regardless of how goofy the show is, it's pretty cool to see the character of Beetlejuice continue to live on. But just remember he won't do two shows a night babe, he just won't do it.

Checkout some incarnations of the show I found:

31 Days of Monster Mania: Day 2: Star Trek The Original Series: "Catspaw"

Written By Stu Cooper

It's time for Day 2 of Film Enigma's 31 Days of Monster Mania! Today's choice is something that I hold near and dear to my heart. Those who know me personally know I am a massive Star Trek fan. As a Star Trek fan I always wanted to see a Halloween special the likes of Roseanne or Home Improvement. While they never did any official holiday specials, there was an episode of the original series with a very strong Halloween theme. The episode was entitled "Catspaw" and involved all sorts of iconic Halloween traits.

The crew of the enterprise beamed down a landing crew consisting of Sulu, Scotty, and a red-shirt named Jackson to a seemingly uninhabited planet called Pyris VII. When the crew is unresponsive, the crew grows concerned when the red-shirt beams back up to the Enterprise and is apparently dying. Before he dies he warns the crew that they are now cursed! The crew responds the only way they know how, by beaming down to the planet to check things out. When Kirk, Spock, and Bones beam down to the planet they are immediately confronted with haunting imagery starting with screaming ghost like creatures. The screaming ghosts warn the crew members, but Spock is not alarmed because when he scans them, he realizes they are not real. Soon after this, Kirk notices a black cat that is wondering around the planet and the planet is covered in fog, creating a very familiar horror like environment. The ghostly environment only gets creepier as the crew stumble upon a castle! The castle is obscured by fog and looks like something straight out of Dracula.

The crew follows the black cat into the castle and encounters a wizard like man that looks like something straight out of Flash Gordon. The wizard begins talking to the black cat as if it understands, and the crew is quite confused. The crew also learns that the Wizard appears to have control over Sulu and Scotty and has put them into a zombie like state. The zombie crew members appear to be under the wizards command. So now not only do you have ghosts, a foggy castle, a black cat, but also zombie crew members! After Kirk, Spock, and Bones continue to investigate they realize that the wizard Korob is some type of alien that can control imagery and create illusions. To make this episode even more scooby doo-ish, the Wizard Korob uses a magic wand to do this.

After being held hostage by Korob, the crew witness the black cat turn into a human looking woman named Sylvia. Sylvia reveals herself to be in charge of the Wizard, and tells the crew that they serve a higher purpose, and are merely creating images that they've read about in human culture. Kirk and Bones make references to "Trick or Treat" which puzzles the Vulcan Spock. Kirk challenges Sylvia's powers and she demonstrates her magical powers by turning the enterprise into a toy, and threatens to burn the toy, which would of course kill the entire crew. After talking Sylvia down, Kirk is able to reason with Sylvia even if only for a brief moment. Sylvia then takes control of Bones, and adds him to her zombie army. Now it's up to Kirk and Spock to figure out how to stop Sylvia, and save their zombified friends.

After being held captive in a dungeon, Kirk and Spock are able to talk their way back into the good graces of Sylvia and the Wizard Korob. Kirk uses his powers of seduction to show Sylvia what it is like to experience a man's touch. We then learn that Sylvia is not humanoid, and actually has no understanding of sensations, sexuality, or power. Kirk uses his sexuality to show her a sample of what sexy sensations feel like, and of course Sylvia falls for Kirk. Sylvia tempts Kirk by showing him that she can transform into any kind of woman. Kirk appears to be interested in this but of course it's all a trick! Kirk is able to trick Sylvia and figure out that the magic wand is the source of her power. After taking her source of power, Sylvia turns into the cat, except this time, it's a giant cat! The cat goes on a rampage, and the Wizard Korob decides to stop Sylvia, sacrificing himself in order for the crew of the enterprise to get away. After a very goofy chase with a giant cat, the crew is able to escape and get back to the ship. Soon after this, the crew finds out that Korob and Sylvia actually aren't even powerful beings, they are merely tiny prawn like creatures. That's right, space prawn trick the crew into entering an imaginary haunted house. The crew would study these prawn, but unfortunately without their power, the prawn die, and the enterprise pretty much forgets about them and flies off into the great beyond.

"Catspaw" is known for being one of the most ridiculous Star Trek episodes and rightfully so. From the first scene the episode is just absolute insanity and comes off like a "Star Trek Meets Scooby Doo" special, which is great for the Halloween season, but in terms of good Star Trek, you could certainly do a lot better. The episode works as a goofy Halloween Special but the effects are pretty awful, and when you find out the aliens are basically prawns who are apparently huge Edgar Allen Poe fans, you can't help but laugh. The chase with the giant cat is also one of the more ridiculous scenes in Star Trek history. So if you're looking for a really hammy Halloween feeling episode of Star Trek, this is a good choice. Don't expect to be scared, but expect to get some serious Halloween Scooby Doo vibes. Unfortunately no crew members sneak off to indulge in scooby snacks, but the ga-ga-ga-ghost scares are riddled throughout this one. If you're looking for a Star Trek episode to give you the October Halloween feel, this is the one for you.

Checkout the full episode here:

Star Trek-Catspaw by Supercylon

Youtube Gem: The Real Ghostbusters Halloween

Written by Stu Cooper

I was surfing through Youtube watching old Halloween specials and I stumbled upon some full episodes of "The Real Ghostbusters". This was one of my favorite cartoons growing up. It's quite a bit different than the films but made for a great cartoon. The only thing missing is some HiC Ecto Cooler! So sit back and enjoy some classic Halloween Ghostbusting action!

Star Trek Theater 3000: Power Play (TNG Season 5, Episode 15

Written by Stuart Cooper

Star Trek: The Next Generation Season 5 Episode 21 "Power Play"

If you know me personally, or if you've ever seen me at a comic convention or nerd related event, it's usually pretty evident that I am a Trekkie. I've been a Trekkie for about a decade and I love it more and more every time I watch it. I think the show holds a lot of merit in terms of storytelling and underlying themes. The show can speak to you on a lot of different levels, and that's why I believe it has endured all these years. I decided to start reviewing one Star Trek episode a week. This will be coinciding with something I'm doing with my friends. My friends and I recently decided to randomly choose one Star Trek episode a week, watch it at the same time, and share our thoughts/and or riffs. This week's episode was “Power Play”, a gem from Season 5 of Star Trek: The Next Generation. The plot involved possession, ghost machines, a reserved Worf, and some pretty intense fighting. Let's dive into it.

In the episode “Power Play” the crew of the Enterprise intercepts a distress signal, which usually in science fiction means certain death, and of course they choose to pursue it. The crew arrives at a baron planet and Troi says she senses life on the planet, so an away team is sent down to investigate and possibly save whatever being is down there. This ignorant move results in Troi, O’Brien, and Data being possessed by orbs on the surface that are apparently the souls of a lost crew that was stuck on that planet. You still with me? I know that last sentence was heavy. After the orbs enter the bodies of the 3 crew members, they get back onto the ship and organize a mutiny of sorts. Troi, O’Brien, and Data hold crew members hostage in Ten Forward. It's soon after this that we find out the orbs from earlier were souls, and they are now possessing the crew members. One big question that has to be asked tho, how can a ghost possess Data? He has no organic matter to control, do souls have power over technology? This is never explained. I think it was merely a plot device that would give Brent Spiner another chance to act goofy and different. One cool little tid-bit. This episode featured Patricia Tallman (Night of the Living Dead 1990) as one of Worf's Security Officers! She unfortunately does not speak, and is only on screen for a few seconds.

After some tense hostage scenes, there is a confrontation between Worf and Data. A fight between the two is teased, but Worf backs down. Worf appears to be very weak in this episode, but at the end of the episode he implies this was only because he was “being reserved”. If you watch enough TNG, you know who would have won that fight. Another highlight in the episode was Miles snapping at Keiko and their crying baby. Data also threatens the baby at one point, just to emphasize how evil these ghosts are. Towards the end of the episode there is a huge moment of tension when Data picks up Picard and chokes him, then picks him up off his feet and holds him in mid-air by his throat. Just shows you that Data could really kill anyone he wanted, if he needed to. Soon after that scene the ghosts are hit with some type of wave and forced to leave the bodies of the crew members.

Overall the episode was a lot of fun and full of tension. The acting was spot on and tight. There were moments where main cast members really became vulnerable, and the villains proved to be rather menacing. I think this was a very effective story. It was also nice being able to see some of the actors act differently than they did normally. I'm sure Spiner enjoyed letting loose a bit. I would definitely recommend this episode to anyone who wants to watch a good one and done TNG episode. You get to see Evil Data, Evil O’Brien, and Evil Troi, what's not to love?