The Green Inferno (2015) Review

Written by Stu Cooper

Nearly one year ago theaters and horror fans alike were supposed to be treated to Eli Roth's newest horror incarnation The Green Inferno. Due to several financial issues within the production company, the film was delayed almost an entire year. This is one of those films that was hot and heavy out of the gates with advertising, but due to the massive delay, a lot of people have most likely forgotten about it's release. I remember seeing trailers for this film over a year ago in theaters, and being quite excited for it. It wasn't until about two weeks ago that I saw a short TV spot, and thought oh wow that movie still hasn't come out. Several films have endured similar fates. One that comes to mind was Joss Whedon's Cabin In the Woods which was delayed several years. Thankfully the substance of "Cabin In The Woods" was able to save it and create a fan base. Unfortunately I cannot say the same for Eli Roth's odd Cannibal Holocaust satire film The Green Inferno. After over a year of waiting, I was able to finally sit in a local theater to watch the film, and it made me cringe...out of embarrassment.

The Green Inferno is a film that was made almost two years ago, but is just now seeing it's first commercial release. The film was written and directed by Eli Roth, and co-written by Guillermo Amoedo. The film stars Lorenza Izzo, Ariel Levy, Daryl Sabara, Kirby Bliss Blanton, and Aaron Burns. The film began shooting in early 2013 and had a 6 million dollar budget. A sequel was also greenlit by the production company but due to financial problems, it is unlikely to see the light of day unless the project finds a new home.

The film begins at a college in New York City as we follow the stunning Lorenza Izzo who plays Justine, a freshman. Despite most of this cast being awkward and amateur, Izzo stands out as a stunning beauty who brings a lot to her role. She has incredibly piercing eyes that the camera focuses on quite a bit. The eyes end up being a big part of her look later in the film when she is covered in white tribal paint. I have a feeling that is part of the reason she was cast in the lead. Sadly she is one of the only interesting characters in the film. The film is riddled with actors and characters that seem poorly written and amateur. Starting with her roommate Kaycee (Sky Ferreira) who is one of the most unlikable characters to ever grace the screen. Not only does she deliver her lines with the enthusiasm of a second year high school senior in detention, but she appears to have just woken up. I'm not sure if they did her make up a certain way to convey this, but she looked like a tired strung out homeless girl. She also delivered her lines with a dialed up obnoxious attitude. At first I thought this was intentional so the audience would be rooting for her to get killed, but it never really leads to anything other than annoyance. As quickly as we are introduced to this bond between two best friends, she disappears from the film and bares no importance. Then we are introduced to a group of incredibly annoying college social warriors who have founded their own environmental group. The group marches on campus and does hunger strikes, often preaching for a cause that goes unnoticed. Justine runs into the group and finds them interesting after meeting a slap happy member of the group named Jonah (Aaron Burns). Jonah asks her to come to a meeting which is where she meets the rest of the group.

The group consists of some of the douchiest, dumbest, and most obnoxious characters imaginable. Some seem to be written this way, while others seem to just act that way. One thing I immediately notice is that a majority of the group seems to have very thick foreign accents, despite them being at a college in America. I actually had to double check and make sure she wasn't attending school in a foreign country because some of these people sounded Spanish, while others sounded French. I'm not sure if that's just supposed to be representative of the melting pot in New York or what, but it comes off like a bunch of amateur actors delivering cheesy English dialogue they seem to struggle with. I would say the film's biggest downfall is the acting and dialogue. This problem is showcased immediately when we meet Alejandro (Ariel Levy) and his girlfriend Kara (Ignacia Allamand) who both deliver their lines like they are reading off of cue cards. To say the dialogue was amateur is an understatement. You can blame the actors for their awkward delivery, especially since English is apparently their second language, but you cannot blame them for the script. I found some of the lines laughable, in scenes that weren't meant for comedy. Anytime Alejandro or Kara spoke...I laughed. I'm not sure what the writer was thinking with these characters, but the vision was not coming out on screen. Needless to say, I was ready to see all of these terrible actors get killed off and it couldn't happen soon enough.

After Justine blindly joins a social warrior cause led by fellow oblivious college kids, she flies to Peru with the group. Once the group arrives in Peru the film starts to pick up and we are introduced to the main storyline. The group of kids is trying to stop part of the rainforest from being destroyed because it will kill off a local tribe. The club shows up to the construction site and attempts to delay this from happening. Without spoiling it, their journey becomes slightly more complicated and they find themselves stranded in the hands of a cannibalistic local tribe. The tribe doesn't speak English and they seem to have fun skinning people alive and putting their heads on posts. Through some visual storytelling the tribes people are made out to be rather terrifying. I was concerned about this film until the moment the tribe came in, then I had a bit of hope. The fear that the people experience seems genuine and you can really feel how overwhelming the whole experience is just by watching on screen. The film does bring some terror onto the screen through these moments of hopelessness. Unfortunately whenever the film starts to get a real scary vibe going, it's completely ruined by bad dialogue or misplaced comedy. At one point there is intense drum music happening, leading you to believe something intense is about to happen, and it's actually just building up to a girl having diarrhea. That's right, there's an orchestral build-up to diarrhea. I would say that is actually symbolic of my feelings on this movie. Lots of epic build up, ready to jump out of your seat, then BOOM! ...diarrhea.

Now one thing everybody wants to know is, is it gory? Eli Roth isn't exactly known for making quality films, but he has always delivered on the gore factor. He became famous because of his association with HOSTEL, so fans of his have come to expect a certain level of violence. I think you won't be disappointed in that aspect, as there is some pretty gut wrenching scenes involving dismemberment and cannibalism. There is some practical effects used early on that provide an extremely visceral scene, which makes for good horror. I also noticed Greg Nicotero's name attached to the film so I'm guessing that was him who helped with that scene. Unfortunately one scene involves some pretty terrible CGI and it totally kills any intensity that death scene had. So it's a mixed bag in terms of effects.

Overall The Green Inferno is a sub-par horror film that reeks of bad student films. The dialogue is poorly written, the acting is awful, and the storytelling really falls flat. However the film does supply a few scary moments and it explores the idea of social media warriors. So if you hate all of those people on the internet preaching and posting petitions, you might dig where this film goes. It's truly a hipster's worst nightmare. It pokes fun at the absurdity of social media campaigns and how easily young minds can be fooled into thinking they are intelligent. I have to give the film some points for being clever in it's choice of victims. Unfortunately for this young mind, I was fooled by the trailers, and I thought this film was actually going to be good.

Nightcrawler (2014) Review

Written by Stu Cooper

The last film I had a chance to see in theaters was a little gem called "Nightcrawler" starring Jake Gyllenhaal, Rene Russo, Riz Ahmed, and Bill Paxton. The film was written and directed by Dan Gilroy. Gilroy had previously worked on Real Steel, The Fall, The Bourne franchise and many other pictures. The film made it's debut at the Toronto Film Festival earlier this year but premiered nationally on Halloween Day. The Halloween day release would prove appropriate for this crime thriller, but more on that later. The film just left my local theater but if you have a discount theater or Alamo Drafthouse theater you may still be able to catch it. The film proved to be a character departure for the clean cut Gyllenhaal. It would prove to be one of his most bizzare, and memorable roles.

"Nightcrawler" tells the story of a lonely psychopath who is looking for some direction in life. Louis Bloom, played by Jake Gyllenhaal, is a bizarre unhinged introvert who is desperately searching for a purpose. He steals fence chain and mugs people to get by, but he is clearly searching for something more. Something that could prove more profitable. After being rejected when trying to get a conventional job, it's not until witnessing a car accident that Bloom gets his idea. Bloom witnesses a car accident and as the police try to save the victim from the flaming vehicle, a cameraman looms over the accident. The man films the victim screaming and almost burning up, without a bit of remorse. This gets the of attention of Bloom who begins to question the man. He finds out the cameraman (played by Paxton) is what the journalism world refers to as a "Nightcrawler". He listens to police scanners and tries to arrive at incidents in time to film the gory outcomes. It's a rather despicable job by most peoples standards, but Bloom is intrigued.

After being inspired by the local crew, Bloom sets out to start his own "Nightcrawler" operation. He starts off stealing a bicycle and trading it in for a camera. He attempts to film some local accidents, but ultimately fails due to inexperience and poor equipment. It's not until Bloom captures a rather gruesome death that he gains momentum. He sells the gruesome footage to a local news producer, played by Rene Russo. Russo encourages him to bring in more footage like that to get more money. This leads Bloom down a dangerous path of a bizarre nature. Bloom progressively evolves into an even bigger psychopath who has a fancy for filming the dead. Like all psychopaths Bloom finds a way to be charismatic and uses that to get what he wants. Bloom hires a helper named Rick who he immediately exploits. Rick is down on his luck and basically homeless, so he is easily manipulated.

After continuing to film gruesome events, Bloom's stock begins to rise. Bloom upgrades his equipment and continues to up the ante. Bloom blurs the lines of morality and journalism with every thing he films. The news producer also continues to encourage him, despite knowing the sadistic nature of what she's paying for. There is another producer who objects to the whole thing, but he doesn't have any pull and immediately gets shut down. A massive real life commentary on how news and professional journalism works. It brings to light a dark side of the media that people don't like to think about.

With his increasing popularity Bloom turns into an egotistical monster. It's quite the sight to behold. There is some amazing monologues from Gyllanhaal. The interactions between Gyllenhaal and Russo are chilling. There is also a moment when Bloom stares at himself in the mirror and shatters it in frustration. Saying that his character is unhinged is the understatement of the year. As with most movie psychos, this makes for great cinema. It actually reminds me a lot of Robin Williams in "One Hour Photo", mixed with Christian Bale in "American Psycho".

I was pretty underwhelmed with Bill Paxton's role in the film but I was very impressed with Riz Ahmed. Bloom's assistant Rick was a pretty likable character, and you could see how someone in his situation could be manipulated by someone like Bloom. You can't help but root for the guy to get out of the situation before he is corrupted. Russo plays the heartless News Producer very well. There is some great stuff between her and Gyllanhaal, highlighted by a disturbing sexual situation that I won't spoil. Overall the cast works together smoothly, but it is definitely the Jake Gyllenhaal show!

The film says a lot about the current state of journalism, and that's the scariest thing about it. It's no shock to anyone who watches FoxNews,CNN,Access Hollywood, E! News, local news, etc. that sex and violence is what sells. In this case, it focuses on the violence. It's all about the saddest thing that happened that day. In some cases the news actually exploits death and unfortunate events. People get paid thousands of dollars to report and film this kind of thing. There is also something to be said for the growing popularity in the past decade of paparazzi. Whether it's the death of Princess Diana or the idea that someone like Kim Kardashian is famous enough that people flock to her while she is grocery shopping. The Bloom character sees all of this, and sees dollar signs. He is able to make a cold separation and rake in the dough. That is absolutely psychopathic, but totally realistic. I wouldn't be surprised if many journalists are equally as twisted. That's what makes this film particularly scary and effective.

The cinematography in the film is quite impressive. It displays the lonesome ambient tone of the film that fits Bloom's character. You also get a sense of that hip "DRIVE" feeling anytime Gyllanhaal is out driving at night. There is some great driving cam footage with some impressive car mount cameras. I remember noting to the person I went with that some of the car shots had to be very difficult to get. The camera view is a switch between first person POV to normal style, which can be a bit jarring. That style proves effective in the last act of the film when there is a gigantic car chase. It feels like a rollercoaster at some points.

Lastly I'd like to talk about Gyllenhaal's performance. Gyllenhaal brought a new kind of character to the table, at least for him. He often plays the hero or the protagonist, so it was cool to see him as a villain. Gyllenhaal also lost 30 pounds for this role, just to look extra creepy. Gyllanhaal also reportedly shadowed real life Night Crawlers in preparation for the role. He goes the extra mile to fulfill the role and it shows. He plays the perfect long gangly creeper. If anything I was left wanting to see MORE of this character and his story. The ending of the film is quite up in the air, and leaves you wanting more. I would suggest everybody check this one out, and see for yourself. "Nightcrawler" was a excellent film and I would highly recommend it.

31 Days of Monster Mania: Day 1: TUSK

Written by Stu Cooper

Ladies and Ghouls it's time for the 2nd annual Film Enigma MONSTER MANIA! I will be blogging about horror and horror films for 31 days in a row in honor of my favorite month. There is a lot of horror out there, so let's dive right into it.

Day 1 will be about a newer film that I actually just saw less than 24 hours ago. That film is Kevin Smith's bizarre new horror comedy “TUSK”. The film was written and directed by Kevin Smith and was apparently based on an episode of his podcast. The film stars Justin Long, Michael Parks, Haley Joel Osment, Genesis Rodriguez, and Johnny Depp. The trailer of the film indicated a goofy concept with a rather scary tone, but unfortunately the film doesn't deliver as a horror film or as a horror comedy, it's really just a mixed bag.

Justin Long stars as Wallace Bryton a snobby conceded pod-caster who hosts a show with his best friend Teddy (Haley Joel). The show seems to revolve around demeaning others and discussing viral videos, which reminds you of all those annoying shock jock shows you probably hear on your local radio every morning. As part of the show, Wallace plans to travel to Canada to interview a guy from one of the viral videos with the intentions of belittling him. Despite his friend Teddy's discouragement, Wallace is dead set on making the trip. When Wallace arrives however the guy from the video had actually committed suicide, possibly as a result of the ridicule he received from being a viral celebrity. Wallace shows zero remorse and solidifies the fact that he is a pretty bad human being. Since Wallace is now in Canada, he is determined to find an interview, which leads him to an older gentleman named Howard Howe (Michael Parks) who apparently has many stories to tell.

Wallace locates the man and begins to talk with him about his very adventurous life. This is actually where the film shines the most. I felt the stories and moments between Long and Parks were very compelling and interesting. I could have listened to Parks talk all day long. He was definitely the highlight of the film, and brings a lot of gravitas to his role. Soon after this, the plot of the film is revealed and Wallace begins to realize he is part of a master plan that Howe has. That plan is to transform a man into...a walrus.

The tone of the film is very eerie and somewhat scary up until this point. You really feel like you are watching something truly warped and twisted, despite the dick jokes being thrown in every 5 minutes. Unfortunately this tone does not last, and after the first 30 minutes or so, the film decides to flip into full clown mode. As Wallace's girlfriend and best friend Teddy search for their missing pal, they partner up with a retired detective played by Johnny Depp. At first glance, that sounds awesome right? Wrong. Depp plays one of the most awkward, stupid characters you will ever see. The detective seems to be channeling “The Pink Panther” throughout the movie, which becomes frustrating when the film is going through serious moments. The character also constantly makes poop jokes, which fell flat with the audience.

After “the big reveal” the film becomes nothing more than a series of dick and fart jokes, riddled with ridiculous imagery. You can see a lot of influence from films like “Human Centipede”, but I feel like “Human Centipede” stuck to one tone, whereas “TUSK” is all over the place. Another issue I had was that the film plays up the idea of being a horror comedy, but the comedy is not smart and not funny. Films like “Tucker and Dale vs. Evil” and “Cabin In the Woods” are great examples of how this kind of concept can work, but “TUSK” really falls flat especially in comparison of films like that. This was not Smith's first try at horror, if you remember the film “Red State” which also had some tone issues. I feel like both that film, and this film had the same issue. That issue being a great idea, a great build up, and a terrible third act. There is even an audio clip that plays during the end credits that is Kevin Smith basically telling the audience how stupid the idea is, and how ridiculous it is that it could be a film, which felt like a giant slap to the face. As if to say “Haha I got your money now, you saw a movie about a walrus man, idiot!”

I would say overall this film is entertaining and sometimes beautiful, but uneven and full of lame jokes. The saving grace of the film would be the powerful acting of Michael Parks, and the gorgeous eye candy Genesis Rodriguez. I would say if they put it on Netflix, give it a shot. If not, this one is passable.