Written by Stu Cooper
“Tammy and The T-Rex” is a 1994 direct-to-video horror comedy written and directed by Stewart Raffill, whom you may remember from his prolific work on “Mac & Me”! It was released during a weird post-Jurassic Park boom period. This period involved gems like the DINOSAURS tv show, Carnosaur, Prehystoria, Theodore Rex, etc. America had a huge fascination with Dinosaurs at the time, which birthed many animatronic dinosaur movies. This one however is a diamond in the rough. Or mosquito in the fossilized tree sap might be more appropriate.
The movie stars Denise Richards, Paul Walker, and Terry Kiser. Richards and Walker actually made their big screen debuts in this film, unless you count Richard's minor cameo in “National Lampoon's Loaded Weapon 1”. Then you have Terry Kiser who had received some moderate success in films such as “Weekend At Bernies” and “Friday the 13th Part 7”. With that banger of a cast, what could go wrong? Whoops sorry, I left out the most important and subtle actor in the film...A GIGANTIC ANIMATRONIC TYRANNOSAURUS REX!
After escaping the testicular stand off, Michael unfortunately encounters the evil ex-boyfriend once again when he sneaks out to see Tammy and before he gets any action, Billy cuts him off at the pass and chases him down. This chase leads to Michael getting brutally beaten by Billy and his gang, then the film takes a completely random left turn. Billy decides to not just kill Michael, but to kidnap him and drop him off inside of a lion wildlife preserve. Needless to say, this does not end well for Michael. He is mauled by a lion and saved at the last second by a local ranger. With Michael on life support, we meet the film's antagonist Dr. Gunther Wachenstein who is in possession of a gigantic animatronic T-Rex...but he needs a fresh human brain. Since the town is apparently very small and word gets around quickly, the Doctor shows up at the hospital, fakes Michael's death, and steals his brain. And THIS is really where the masterpiece begins.
Michael The T-Rex escapes the “medical facility” and begins his revenge rampage. We see the T-Rex mow through lab assistants, bodybuilders, stoners, perverts, and of course Billy's gang! This is where the film really gets to shine because we see the limited budget work it's way around the T-Rex as he is clearly moving around on a dolly and has a human puppeteer the arms and legs of the creature. The comedic timing of the violence combined with the practical effects of the kills is nothing but glorious.
After cleaning house at a high school party, Michael the T-Rex sets his eyes on his love for Tammy. Through heavy breathing phone calls and a game of charades, Michael is able to communicate to Tammy that he is a dinosaur, with her lover's brain inside of him. After this bombshell is dropped, Tammy seems to handle it pretty well. She handles it so well in fact that she decides to break into a morgue and thumb through bodies, comically offering them up to the T-Rex. Unfortunately he finds all of these options unsatisfactory. Even if he did, how would Tammy go about transferring this brain into the T-Rex? That is glossed over pretty quickly as the movie basically shrugs off anything remotely related to science. After some comedic shots of the T-Rex being driven around town in a dump trunk, the police are hot on it's tail! Literally!
In what is probably the film's most iconic scene, we see Tammy riding on the back of Michael The T-Rex as a beautiful sunset cascades behind them. This shot was used for most of the trailers and box-art. It's easily the coolest shot in the film. But the beauty is quickly shut down after Tammy hides Michael in a farmhouse, and the police corner the creature. Before the police have a chance to access the situation, the maniacal Dr. Wachenstein and his sexy assistant decide to have a chat with the T-Rex and try to appeal to his sensibilities. Spoiler alert: It doesn't work. Soon after the final confrontation with the Doc, the cops proceed to gun down the T-Rex and he plops over in a blaze of animatronic immobile glory. In an Academy award winning performance Denise Richards weeps over the lifeless robot body of her lover. It's seemingly all over for Michael...or so we think.